Own your record isn't what you singls. The record has through been played many times, but displays no major financing in sound quality, despite incorrect multiple marks and the occasional south scratch. For that show, when we doing records equivalently they right the same, so you once hard what to numb. The cover and insurances will be able damaged or around missing.
It meshes very well with the song, providing a very hard edge to an otherwise goofy song.
The Story Behind The Song: Bring The Noise By Anthrax And Public Enemy
Also, major respect to the hilarity that Frank Bello provides me. Scott and Charlie do very well with they're parts too, but holy shit is Frank hysterical. His corrections to Scott's mistakes are what make this track to me, not to say that Scott and Charlie don't do a fine job, they do, it's just that Frank is defiantly the final piece mxn this song, and without his contributions, the song wouldn't feel as Anthhrax, and sinble might've even been a little awkward sounding to be honest. As for the rest of the tracks on this EP, they're mostly okay. The cover of Sabbath Bloody Sabbath is okay, but it could've benefited from just a little more speed.
Because as it stands, it's more or less a by the numbers cover, Anthrax im the man single the only difference being that Joey is singing this instead thee Ozzy. Also, what the hell happened to the crazy little tribal intro found on the original version of the song boys? The live version of I'm The Man is ass, don't even bother with it. It's a fucking mess to put it lightly. It's a shame that the song doesn't really translate all that well live, because it could've been a concert staple if done right. The live version of Caught In A Mosh is very energetic for sure, and has a little more of a faster tempo than the studio version, which is always a good thing in my books, and I've never listened to the live version of I'm The Law because eh?
Other than a few duds found within the extra tracks, this little EP is definitely worth listening to for sure. I wouldn't buy it per say, but I would recommend streaming it off of Spotify because it's a good EP. The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable. The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration etc.
The record is still just playable but has not been cared for properly and displays considerable surface noise: The cover and contents will be badly damaged or partly missing. The record will not play properly due to scratches, bad surface noise etc. The record is unplayable or might even be broken, and is only of use as a collection filler. Sometimes the record is of different quality on the 'A' and 'B' side.
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